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Adventurers reach Rockall in bid to live on north Atlantic islet for 60 days

After defying rough seas, team leader Cam Cameron aims to beat 45-day record for staying on rock

The adventurers planning to live for up to 60 days on the islet of Rockall in the north Atlantic have arrived on the isolated rock and begun broadcasting to radio hams around the world.

The three adventurers, led by Cam Cameron, a science teacher who hopes to beat the 45-day record for staying on Rockall by remaining there for two months, landed on the islet on Tuesday after defying rough seas.

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Healing nature will help us all. So why are MEPs fighting the crucial new restoration law? | Sandrine Dixson-Declève, Janez Potočnik and Paul Polman

The proposed legislation would require changes to farming methods in Europe to tackle the climate crisis and restore nature, ensuring affordable food for all

For 10,000 years, human civilisation has grown and thrived because of Earth’s remarkable regenerative capacity that sustains climate stability and rich biological diversity. Now human activity has severely undermined this resilience.

Our patterns of economic growth, development, production and consumption are pushing the planet’s life-support systems beyond their natural boundaries. Last week, members of the European parliament’s agriculture and fisheries committees voted to continue this destruction, rejecting European Commission proposals for a nature restoration law. The vote flies in the face of science, and the claims by some MEPs to be defending farmers and food security are flawed.

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‘They could disappear overnight’: rare Italian deer make long journey to survival

Under an ambitious conservation plan, 60 Mesola red deer are being moved from northern Italy to Calabria, where it is hoped they will thrive and multiply

In a meadow in northern Italy, the fog engulfs a forklift truck putting long, narrow boxes inside a green mounted police transporter. Small openings in the crates reveal the fearful looks of stocky deer, their antlers sawn off to prevent injury during transport. It will be a long trip, more than 1,000km (620 miles) and almost 20 hours of driving to Calabria in southern Italy, where they will be released.

The 20 animals in the crates are some of the 300 remaining Italian or Mesola red deer (Cervus elaphus italicus), a unique and endangered subspecies.

Time to move: an Italian red deer in the Bosco della Mesola nature reserve in northern Italy

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I’m heartbroken at my exile from Uganda. Don’t let them erase our queer community

Under the new anti-LGBTQ+ law, I face 10 years’ jail for being non-binary. For my art, I could be jailed for another 20 years

I’ve been exiled from Uganda. As a non-binary photographer and activist, I’ve documented the realities of queer life in my home country for more than seven years. Now the anti-homosexuality bill, which was signed into law by President Yoweri Museveni on Monday, makes both my art and my existence punishable by jail, or even death.

Since the bill was approved by MPs in March, I’ve spent almost every waking hour crowdfunding and campaigning to support my community through this dark period in Uganda’s history.

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‘Water is too boring’?! Can you really survive on nothing but coffee, tea or juice?

Everyone agrees you need some form of hydration – but are any of the alternatives as good for you as H20? And precisely how much should you be gulping down?

Guzzling water has become something of a badge of honour among celebrities, with Jennifer Aniston and Gwyneth Paltrow revealing they drink up to three litres a day. But not everyone finds it so easy. Florence Pugh, for one, recently announced that she finds water “too boring to drink”. As well as the lack of flavour, she bemoaned the constant toilet breaks that come with a high intake, calling them “a waste of time”. Instead, she prefers orange juice, elderflower presses and tea.

What do the experts say? How much water should we be drinking every day – and is it just as healthy to get your hydration from other beverages?

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It’s 2023 – and women are still being told to cut their art down to size

From paintings stuck in cellars for centuries to acclaimed sculptures pointlessly destroyed, the art of women has been crowded out of galleries and public spaces. It’s time we stopped putting up with it

Last week I was speaking with an artist – highly regarded and in her 60s – when she began telling me about a recent incident with a male curator. She had been helping him install a show at a major institution when he realised the measurements for a large work of hers were off – he’d failed to double check the dimensions of the gallery. As a result, he asked if she could chop off a section of her large-scale artwork so it could fit. Understandably outraged, she declined, and the work didn’t end up in the show. But she also wondered whether the curator would have asked the same of a male artist – to butcher his own work to make it accommodate the space?

Women accommodate to a fault. But why have we been made to feel like this: guilty if we take up space; unpleasant if everything we do is not done with grace; demanding if we ask for what we want? It’s shocking to think that in 2023, the questioning of women’s authority – and the disbelief in what we are capable of – is still rife.

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Who should win the 2023 Stirling prize? One of these…

Of the 131 RIBA regional award winners just announced, this year’s Stirling prize contenders ought to include a precision-tooled Isle of Wight house, the LSE’s latest addition and a farm in the middle of Belfast

How do you measure a classical church in the north-east of England, chastely converted into a community centre, against a louche re-creation in a London theatre of a Weimar republic nightclub? Or a shed for a city farm in Northern Ireland against a sumptuous bespoke guest house on a private estate? You can’t exactly. The comparison is not so much apples and oranges as blackcurrants and kumquats, souffles and chips, fish and bicycles. But to choose one from many incomparables is the challenge that faces the judges of the Stirling prize, the award given annually by the Royal Institute of British Architects to the best new building in Britain.

The 131 winners of this year’s RIBA regional awards have been announced over the past couple of weeks, from which national award winners will be chosen, from whom will come in July the shortlist for the Stirling, with the winner to be selected in October. The list offers a panorama of the current state of the more creative end of British architecture: an eclectic collection dominated by no one style or ideology, that offers varying degrees of skill, splendour and social worth. If architecture is a matter of commodity, firmness and delight, the question is how many points should be awarded in each category.

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England should pull plug if Crawley falters again against Irish nemesis | Mark Ramprakash

Batter has been given a long run without showing consistency and sound technique – and next up is old foe Tim Murtagh

England’s summer begins at Lord’s against Ireland on Thursday and even if it is only a starter before the lavish main course of the Ashes I am sure nobody in that dressing room will be taking it lightly. It is, after all, a Test at the home of cricket, a big crowd, a big game and there is lots of competition in the squad.

Several players will remember the game against Ireland in 2019, when my old Middlesex teammate Tim Murtagh got five for 13 and England were bowled out for 85 before lunch on the first day. I am pretty sure that was a one-off – there’s a reason Tim has got 1,000 first-class wickets and if you give him the right conditions he’ll exploit them – but the players will want to make absolutely certain.

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‘Deeper than a sexual betrayal’: what happens if your partner doesn’t like your writing?

In Nicole Holofcener’s incisive new comedy You Hurt My Feelings, a horrifying scenario leads to uncomfortable questions

There are no decapitations or dead girls in Nicole Holofcener’s sublime new horror film. The incident at the center of the writer-director’s latest movie is, to a certain set anyway, far more alarming. Beth, a happily married writer (Julia Louis-Dreyfus) overhears her sweet therapist husband (Tobias Menzies) confide in a friend that her novel in progress is not shaping up to be a masterpiece.

The Pulitzer prize-winning author Benjamin Moser gasped when he heard the conceit of You Hurt My Feelings. Unlike most professions, where a person and their work can neatly coexist, being a writer involves stepping into an occupation that all but demands self-exposure and a heaping dose of vulnerability. Any piece of work – fiction, biography, poetry – is a document of the author’s hangups and preoccupations, flaws and shortcomings laid bare. How could anybody put their work out there for Goodreads evisceration and not find themselves feeling thin-skinned? And then there are the other professional circles of hell to endure: the rejections and iffy reviews, the degradation of self-promotion, the unsettling quiet of an un-buzzy publication.

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Jason Roy’s Stateside jaunt the inevitable endgame for cricket as we know it | Barney Ronay

We shouldn’t really be surprised that a World Cup winner will jettison his England contract in favour of playing T20 in the US

There was something weirdly gripping about the sight of the Sky Sports punditry team reacting live on a deliciously sun-dappled Oval outfield to the news on Thursday that Jason Roy has accepted an offer to play in the new US-based T20 league, in the process ripping up the last few months of his England contract.

This is both something and nothing, a tell, a symptom, a creaking of the weather vane. Such has been the pace of change in the wider super-structure, cricket’s ossified old board-led calendar blown simply away by a series of pop-up leagues conjured out of the air on fumes and paychecks, that it already feels like an inevitability.

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British parents need to adapt to climate chaos – but not by abandoning the great outdoors | Rhiannon Lucy Cosslett

Try telling a cooped-up child they can’t go out due to global heating. Luckily, we can learn from our European neighbours

Like all children, I hated rainy days. What I didn’t realise until I had my own baby was how my parents probably hated them, too. Cooped up, whingeing babies can make cooped up, whingeing babies of their adult caregivers, too. “Get outside every day,” people tell you, but you find yourself and the child all wrapped up and ready to go and standing in a doorway watching the showers come down in biblical sheets. A 2016 study that found that British children spend less time outdoors than prison inmates started to make a little bit more sense.

I have sung a lot of Singin’ in the Rain this past winter, and then spring, but sometimes I’ve been crying on the inside. I don’t get seasonal affective disorder, but by April my spirits were starting to feel low. The weather feels personal now, in a way that it never did before, when I could hunker down with a book or a film or a glass of red wine and a record. Now stormy weather means trying to find endless entertainment for a baby who loves nothing more than being outside and watching the wind shake the leaves. It couldn’t have been more different than the spring we brought him into the world: our postpartum euphoria as we walked him through sunlit streets, long lunches of seafood pasta while he slept in the pram, pink blossom falling like snowflakes on the day we registered his birth. This year, it’s been so wet that he’s only just touched grass.

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No, Succession’s antiheroes don’t have hidden depths: that’s what makes it so compelling | Sarah Manvis

In a TV landscape offering only the worst of humanity or the syrupy best of it, I know which I’d choose

In debates over who is the least competent sibling, arguments for which actor’s performance is best and theories around how it’s all going to end, one question dogs social media discussion about Succession: which character are you rooting for? The HBO drama surrounding the Murdoch-esque family the Roys, fighting among themselves over who will become CEO of their media empire, has become a weekly lightning rod for debate in its final season (which ends on Monday). It’s normal to wake up on a Monday to a viral Twitter thread, Reddit or TikTok post putting forward a case for the morality of one of Succession’s main characters.

The problem with these competing theories should be obvious to anyone who’s watched the show: every character on Succession is an irredeemably bad person.

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Look at what hedge funds really do – and tell me capitalism is about ‘rewarding risk’

‘Alternative asset managers’ are mainly focused on protecting themselves from losses – and they get tax breaks for it, too

  • Brett Christophers is the author of Our Lives in Their Portfolios: Why Asset Managers Own the World

Coming up with economic policy is a difficult, unforgiving task. To make the best of it, it helps to work with an accurate model of how the economy works. If you use a misleading model and act on it, you can’t reasonably expect good outcomes: in that scenario, we end up, as JM Keynes warned in the 1930s, with “madmen in authority”, acting according to the precepts of “some defunct economist”.

But that’s exactly where we are. One of the most deeply held and frequently heard propositions about capitalism is that it revolves around private companies and individuals taking risks. When, earlier this year, the US government arranged a rescue package for Silicon Valley Bank, for instance, among the many objections to it was the claim that the rescue contravened capitalism’s risk norms.

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Now’s the time to think about just how bad a DeSantis presidency would be | Margaret Sullivan

Consider what the two-term governor has wrought in his home state and in his early forays into world affairs

Political journalists and pundits spent much of Wednesday obsessing over the gimmicky way that the Florida governor, Ron DeSantis, was announcing his candidacy for presidency – in an audio chit-chat on Twitter Spaces, in the company of the billionaire Elon Musk and of David Sacks, the South African-born venture capitalist and Republican donor who recently opined that continued military support for Ukraine could lead to “woke war III”.

Media speculation raged about DeSantis ditching an in-person event in his Tampa-area hometown, and about how much attention he would get on Fox News, which keeps falling in and out of love with the wannabe Trump slayer.

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Johnson at 10 by Anthony Seldon and Raymond Newell review – the great pretender

A howl of scholarly frustration at a prime minister out of his depth

Boris Johnson has been accused of many, many things over the years. But the parties and the lies, the sleaze and the juicier scandals don’t seem to interest historians Anthony Seldon and Raymond Newell much. Their central complaint in this utterly scathing account of his time at No 10 is the more fundamental one that, as they put it, he “never understood how to be prime minister, nor how to govern”; that he didn’t know what he was doing, barely bothered learning, and was so lacking in moral seriousness that even when he tried he couldn’t transcend the limitations of his “base self”. It’s a lofty charge, but a grave one nonetheless.

A career headmaster and stickler for detail who has published report cards on each prime minister back to Tony Blair, Seldon was never likely to warm to the overgrown schoolboy Johnson, and so it proves. The story really begins with Johnson’s response to his side winning the Brexit referendum: far from celebrating, they write, he paced the house looking “ashen-faced and distraught”, panicking aloud that: “Oh shit, we’ve got no plan. We haven’t thought about it. I didn’t think it would happen.” What weighed most heavily in his choosing leave over remain, they suggest, was his own personal ambition. From this unfolds a tale of power pursued without much purpose, or latterly dignity.

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Unionism is in crisis in Northern Ireland - and Sinn Féin is becoming an election-winning machine | Sarah Creighton

The collapsed assembly and crumbling public services have played into the party’s hands, giving it a majority in local government

Northern Ireland was created to secure an in-built Protestant and unionist majority. When, in the early 1930s, the Ulster Unionist MP Basil Brooke told his constituents not to employ Catholics, Northern Ireland’s prime minister, James Craig, commented: “I would not ask him to withdraw one word he said.”

How times change. Last Saturday, Sinn Féin became the largest party of local government in Northern Ireland. The party now has 144 seats across local councils, as opposed to the Democratic Unionist party’s 122. This comes on the back of last year’s local assembly election when Michelle O’Neill, deputy leader of Sinn Féin, became Northern Ireland’s first minister-designate. The nationalist vote outpolled the unionist vote for the first time. Now, Belfast city council, a traditional unionist stronghold, has only 17 unionist councillors out of 60 seats. Historic is the only word for it.

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‘Ian Dury was a voice for the disenfranchised’: Chaz Jankel, the man who made the Blockheads funky

He wrote the music for Dury’s biggest hits, then struck out for Studio 54 in a brilliant but misfiring solo career. Jankel recalls his strange path through pop – and dodging Dury’s drunken rages

Chaz Jankel walked cautiously down a corridor backstage at the Greyhound pub on Fulham Palace Road. Steam emerged from a dressing room, as if from a Turkish bath. Holding court in the middle of the musicians crammed inside, one of them eyeballed him. “Ere, do I know you? Well fuck off then!”

This was the inauspicious beginning of one of the greatest partnerships in British pop music, between Jankel, a middle-class north Londoner in love with Black American funk and soul, and Ian Dury, a confrontational, wildly charismatic pub rock singer. Jankel soon wrote the music for songs such as Sex & Drugs & Rock’n’Roll, Spasticus Autisticus, and the 1979 UK No 1 single Hit Me With Your Rhythm Stick, with Dury delivering raunchy screeds on top. But this was just the first chapter in a remarkable story for Jankel, who would go on to become the darling of America’s club scene, be courted by Quincy Jones, and continue releasing music to this day: aged 71, he released his newest solo album last week.

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Who says clothes aren’t a matter of life or death? In Succession they’re both | Morwenna Ferrier

Grieving and pregnant, Shiv Roy’s wardrobe speaks to those of us who have tried to hold it down at life-changing moments

In the days after my mother’s death, I spent a lot of time online looking for shoes to wear to her funeral.

Not an obvious reaction to grief. But while I had a dress – a black one with pretty red peonies that I kept rolled up in my bag when her illness began to accelerate during the summer – we were in lockdown so the shops were shut, and I wasn’t going to wear Birkenstocks. Eventually, I found some brogues on eBay and, after wiping them with Dettol, tried everything on. I looked nice, put together. But this was the problem. Looking “put together” seemed like the wrong response when I felt anything but. On the day of her funeral, I wore my mother’s navy skirt suit. It was too big and I was too hot, but for both reasons felt much more appropriate.

Morwenna Ferrier is the Guardian’s fashion and lifestyle editor

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The Second Woman review – Ruth Wilson’s spellbinding theatrical marathon

Young Vic, London
Over 24 hours, the star offers variations on the same scene with 100 different partners, including some famous faces – and the result is astonishing

Even before Ruth Wilson stepped on to the stage, this extraordinary 24-hour production had confirmed itself as “event theatre”. Audiences queued outside the Young Vic, sometimes for hours, hoping to catch the European premiere of Nat Randall and Anna Breckon’s 2017 experimental play, a co-production with London international festival of theatre, in which the same scene is repeated 100 times between Wilson and a different partner.

Wilson plays Virginia, who is splitting up with her lover, Marty, who comes in with a Chinese takeaway. They have an awkward exchange and a boogie before she sends him packing. The pair interact in a glass box, filmed by camera operators and projected on to a screen. The audience, which comes and goes throughout, is encouraged to switch seats in order to see this couple from different perspectives.

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Growing up, every girl has a pop star they idolise – for me it was Neneh Cherry | Emma Forrest

The singer and rapper gave me my template of how to be a grown woman, and now my daughter is transfixed, too

If you read all of these columns, you may have spotted a recurring theme: “watching old movies my mum got me in to because I’m scared she’s going to die”. To this, I would add another habit: “sharing music videos from my youth to get through the weekend alone with my primary school-age child”.

Both ideas feed into the plot of Petite Maman, Céline Sciamma’s beloved film in which a little girl befriends another girl of the same age in the woods behind her recently deceased grandma’s house, before discovering her playmate is actually her mother as a child.

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