The Oscar contender may be set in the Ireland of a century ago. But it offers a very modern lesson on how fragile male bonds can be
The premise of the film The Banshees of Inisherin – now attracting awards like a magnet – is encapsulated in an early exchange between the two main characters: Colm abruptly ends his longstanding friendship with Pádraic, who, understandably, seeks an explanation.
“I just don’t like you no more,” says Colm.
Tim Dowling is a regular Guardian contributor
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