Thirty years ago last week, Salman Rushdie’s The Satanic Verses was published. Rushdie was then perhaps the most celebrated British novelist of his generation. His new novel, five years in the making, had been expected to set the world alight, though not quite in the way that it did.
The novel was, Rushdie suggested, both about “migration, metamorphosis, divided selves, love, death” and “a serious attempt to write about religion and revelation from the point of view of a secular person”. At its heart was a clash of race, religion and identity that, ironically, prophesied the controversy that engulfed the novel and still shapes our lives today.
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