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No Bears review – Jafar Panahi heads for the border in complex metafiction of fear

1:28 AM

Jailed director Jafar Panahi plays a version of himself, forced to shoot his new film in a town near the border with Turkey

As Iranian women rise up against their misogynist bullies, this is a good time to watch Jafar Panahi’s latest film, set in a village whose inhabitants are encouraged to be scared of supposed “bears” roaming the countryside – just as the Iranian people are supposed to be afraid of their morality police. No Bears is a complex, mysterious metafiction about the anguish of Iran and the artist working within Iran. Its creator, film-maker and democracy campaigner Panahi, has recently been sentenced to six years in jail after long periods of house arrest since a bogus propaganda charge in 2011.

Panahi plays “Jafar Panahi”, a film director who is forbidden to make films or leave the country. So his new movie is shooting in a small Turkish town just over the border; it stars an Iranian couple, Bakhtiar (Bakhtiar Panjei) and Zara (Mina Khosravani), based on their own actual ordeal in trying to escape Iran for good. Panahi has delegated the hands-on direction to his assistant Reza (Reza Heydari), and he is watching the filming via Skype. He could easily do this from Tehran, but due to a compulsion to be close to the action (and to freedom), Panahi is doing this from a rented room in a tiny Iranian village just a few miles the other side of the border. The villagers themselves have accepted his cover story that he is there to photograph local customs, including a forthcoming wedding.

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from The Guardian https://ift.tt/jwh5M3n

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